Australian electronic composer Todd Anderson-Kunert creates a deeply reductive electronic drone work for Moog System 55. Every recording project explores a gap that exists between uncertainty and realisation. It can be a treacherous zone of investigation, one that can frustrate as easily as it can reward. In this expanse of possibility, artists and musicians traverse a particular set of variables within which the potentials for their chosen work are realised. When Australia artist Todd Anderson-Kunert, commenced work on his debut edition for Room40, Conjectures, he was intent on approaching this zone of entanglement with equal doses of curiosity and strategy. Undertaking a residency at Melbourne Electronic Sound Studio, which is run by Room40 comrade Robin Fox and artist Byron Scullin, Anderson-Kunert began trawling through the vast array of synthesisers within the facility. After some time, he began to realise the answer to the creation of Conjectures did not lie in some survey of modern electronics, but rather an interrogation of one machine. With this strategy in grasp, he sat at their Moog System 55 Synthesizer, one of only a few existing in the world and set about creating a delicate but richly timbral album of reductive electronics. - Room40.