Feeding Tube


"This is our fifth release with the Vienna-based guitarist Eric Arn, and as with each of his albums, Kost Nix (No Cost) is different from all that have preceded it. Eric is a musician whose interests and techniques are constantly evolving, so it has been a pleasure to observe his evolution from a power raunch generator (with Crystalized Movements, then Primordial Undermind) into the wildly unpredictable improviser he has become. This is the third duo album we've done with him, following Paranza Corta (FTR 384LP) with Margaret Unknown, and Hydromancy (FTR 493LP) with Jasmine Pender, and it is another stone killer. Eric's sparring partner this time is Eyal Maoz, the great Israel-born, NYC-based guitarist who has long been an important part of John Zorn's circle. Eyal has had loads of projects and solo outings, and also plays in a dizzying array of styles, so this match-up was a dream date. The recording was done live in October 2021, at VEKKS Vienna, and the set is explosive. Because both players are incredibly mutable (and I have no visual clues), it's all but impossible for me to tell who exactly is doing what. The massive sound of their collaboration creates its own unique sonic field. The grace of their interaction makes it seem like they've been doing this for years, but we can just chalk that up to a combination of good ears and good reflexes. They also display more skill and taste than most musicians can manifest in a year. The three long pieces move through a vast array of moods and tones. 'Quiet Concessions' has passages of almost classical delicacy, merging into tangled webs of zoned space improvs akin to Sonic Youth's extended string break-downs, with nods to the shattered weirdness of the Dead's '68 noise eruptions. 'Luminous Motion' starts like a collaboration between Donald Miller and Hans Reichel, with a drunk baby controlling their knob settings, until it settles into a valley of low twangs and drones. 'Optimus Locus ad Finem' is a slow, damp bramble with light fingered weirdness generating a very special kind of tension. And that's it. The breadth of this collaboration will definitely make you want to see these guys live, if only so you can see who's doing what. How likely that is, I cannot say, but hey -- why not dream big? Life is short, art is long. Don't be a sissy."--Byron Coley" - Feeding Tube Records.
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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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