Vitrine

ARTBREAKHOTEL - Drag

-¢‚Ǩ-ìEvacuees from the Null-Commune. Eviction passport. Vitrine is thrilled to showcase two long-form decompositions from Japanese sound artist and musician, Nobuo Yamada, otherwise known as ARTBREAKHOTEL. Drag, the first full-length recording from the project in two years, details further expeditions into mechanical redundancy. Pierced and coiled metal is collaged onto the rote mewing of a crowd, unvariegated feedback and the whirl of a turbine. Noise remains a refusal of aesthetics and expediency. A stripped hex head cap screw and copper filaments. The lack of function hidden in tools. Drag falls somewhere boldly outside both the cliches of improvisation and the bland trappings of noise as genre. The sound stares at itself in self-obsession. Yamada has cut his teeth as a collaborator besides such luminaries as Richard Ramirez, Toshiji Mikawa, Richard Rupenus and Hideaki Shimada. Yamada belongs in such company. Scraped guitar strings spiral back into a gutter of no value. The sounds are good, but thats not the point. The A side features source material from TNB, wryly repurposing the work of a project known for doing just that. Climaxes subsume themselves to anti-climax. The handmade account and the pleasure of nothing at all. Each copy of Drag comes with a full-color, pro-printed postcard courtesy the artist. Sold out at source.-¢‚Ǩ¬ù - Vitrine.
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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.



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