Shelter Press


"Félicia Atkinson's new full-length album, Hand In Hand follows the highly-acclaimed A Readymade Ceremony (SHELTER 055CD/LP, 2015), and her collaboration with Jefre Cantu-Ledesma, Comme Un Seul Narcisse (SHELTER 070LP, 2016). Composed over 2016 at EMS and at home in Brittany, Hand In Hand could be considered as the most ambitious body of work recorded by the French musician and artist. Strident modular sounds tear apart minimal beats and drones; Fictional stories told by a voice slowly become reality. Hand In Hand is meant to be a moment of common thinking and listening, in its diversity and abstraction. In the same way a sci-fi novel by Philip K. Dick or a sculpture by Guy Mees can be perceived: trivial, sensitive, and mysterious at the same time. "I'm Following You" is a bleached romantic ballad for Fender Rhodes that could be the ending title of a martian love story, whereas "Visnaga" praises the resources of a desert plant through asmr voices, field recordings, and evasive chords. "A House A Dance A Poem" is a feminist hymn composed as a pyramidal structure, referring, at the same time, to the A-frame houses, the yoga position of the triangle, the first letter of the Roman alphabet, and the feminine sex. In the closing song, "No Fear But Anticipation", Atkinson offers an open-hearted plea about the existentialist necessity of finding desire even when the times seem too dark to think about it. A telepathic and non-scholastic anthem for Don Delillo, Joan Didion, and Jean Paul Sartre. The final Buchla sounds that close the record seem to deliver an unspeakable message that only birds and aliens could transcript. The echo of the '80s sci-fi anxious aethetics resonates with today's transparency of digital sounds in the whole record. The cohabitation of simple midi textures and historical Serge and Buchla signals are convoked and confronted together by a voice. The human instrument appears here as the epicenter of the recordings, giving the other instruments a gravitational point. Joan La Barbara, Robert Ashley, or Delia Derbyshire are the main influences of Atkinson in their own way of inviting fiction and abstraction as the essential materials of composition. For Hand In Hand, Félicia Atkinson used different sources for the lyrics and scores of her tracks: house plant instruction books, old issues of Desert Magazine, architecture manuals, JG Ballard and K. Dick's books, as well as her own poetry." - Shelter Press .
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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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