Edition Telemark

BEHRENDSEN, PETER - 10 x 15 = 30

"Peter Behrendsen (b. 1943) is a Cologne-based radio producer, performer, and composer of experimental music. He started concerning himself with electro-acoustic music in 1972, was a member of Josef Anton Riedl's ensemble and assistant to Klaus Schöning at the WDR radio play studio (Studio for Acoustic Art). He organized numerous concerts and festivals for experimental music in Cologne, most notably BrückenMusik, a series of concerts in the box girder of the Deutz bridge. After Nachtflug / Atem des Windes in 2017 (ET 628-05LP), this is his second LP on Edition Telemark. 10 x 15 = 30 is the vinyl mix of a concert for Behrendsen's 75th birthday at the LOFT in Cologne. The full-length recording has been released on CD by Obst Music with the title Fünf Mal Dreißig Ist Sechzig (5 x 30 = 60). The players were: Peter Behrendsen (electronics), Dietmar Bonnen (prepared piano, glockenspiel), Andreas Oskar Hirsch (carbophone), hans w. koch (axoloti, blippoo box), and Lucia Mense (recorders). What Behrendsen had in mind for the concert was not a program of solo pieces but a collective improvisation with musicians and visual artists. Being skeptical about conventional "free" (psychodynamic) improvisation, he decided to go with an approach that John Cage called "with the head in the sky -- and the feet on the ground": between individual freedom and preconceived rules. The total length of the concert was set to 60 minutes, each player had 30 minutes in sections between two and ten minutes. Their length and distribution was decided by chance. Within their sections, players had individual freedom: Musical communication was not mandatory but possible, emerging musical relationships would often be unintentional. Simultaneously, five videos by visual artists were projected in random order, again without any intended correlation between sound and video. For the LP, the concert recording had to be adapted in length, i.e. reduced to two parts of about 15 minutes each. To maintain the character of a whole, the 60-minute concert was cut into two equal parts, mixed down and cut into two halves for both sides. The result is a new piece: denser but still transparent, the relationships between the musicians even more abstract -- a new composition. Regular version comes in glossy sleeve with artwork by Dietmar Bonnen; edition of 240." - Edition Telemark .
  • Sale
  • Regular price $29.00

After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
I understand these terms



Sold Out