Sloow Tapes

BEILES, SINCLAIR - Chopin in Majorca

Sinclair Beiles (1930-2000), one of South Africas more unusual and often underrated poets, left his home country in the mid-fifties and after spending time in New Zealand, Spain and Morocco he moved to Paris which at the time was the centre of international bohemia. Beiles worked in Paris as chief editor for publisher Maurice Girodias Olympia Press and established links with the American beat generation of writers, particularly Allen Ginsberg, Brion Gysin, Gregory Corso and William Burroughs. Together they collaborated on the legendary collection of Dadaist cut-ups, Minutes to Go. When the Paris scene fell apart in the early sixties, he left for Greece. In 1969 Beiles published a volume of poetry Ashes of experience, his first substantial publication.
Beiles returned to South Africa in the seventies and later married fellow poet Marta Proctor. They moved into a house in Yeoville, Johannesburg and soon became part of the Yeoville artistic group in the eighties. He often performed his poetry live, at venues such as the Black Sun. In 1997 Beiles finally received some recognition when the French Cultural Institute and the British Council of Johannesburg organised a Beat Hotel exhibition in Carfax where Beiles read his poems. Beiles had a history of mental instability and his illness made him at times unpredictable and volatile. -¢‚ǨÀúChopin in Majorca is a one-man play and was recorded in 1989. Cover photo by Gerard Bellaart. Edition of 100 copies. - Sloow Tapes.
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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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