"After numerous releases with the artist Jonathan Meese, No Time Left is finally the first solo album by the artist and musician Tim Berresheim (Cologne). Besides last years 7 on Meeuw Muzak it is also the first release that doesnt appear on his own New Amerika imprint, but on Eventuell - a label which specializes in artists records and produced a collaboration between Raymond Pettibon, Otomo Yoshihide and Blank in 2005. No Time Left is an impressive proof of Berresheims musical skills, both as multi-instrumentalist, programmer and composer. The four tracks on this LP are carefully constructed mixtures of wonderful guitar and basslines, atmospheric synth-layers, dubby electronic music and unorthodox samples. Although very eclectic in its wide range of sounds and elements, the recordings are characterized by a coherent mood. If you can imagine a hybrid of Nurse With Wound, early Residents and Tom Recchion, youre probably quite near to what can be heard on this great record. The four instrumentals correspond with four large, modified black-and-white photographs by Tim Berresheim which are fully reproduced on four sides of the stunning extra-large gatefold-cover in the form of a triptych. An impressive artists record which comes in a limited edition of 400 copies." - Eventuell.

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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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