Holidays

BOSETTI, ALESSANDRO - Plane/Talea

"Italian composer Alessandro Bosetti presents Plane/Talea. Bosetti explains: "The cycle of compositions collected under the title Plane/Talea reflect my interest in vocal polyphonic music. They envision an 'impossible choir' constructed through the sampling of thousands of fragments and pieces of voices, my own and those of others, and their re-composition into polyphonic garlands and textures. This cycle can be intended as the utopic sonification of an impossible community in which the voice is atomized into primary particles and later reconstituted into sonic masses and clouds. These are too dense and complex for a chorus of real human beings to sing. The music of Plane/Talea is the sonic projection of such a community. The voice is not processed or altered in any way but subjected to molecular reorganization. Theoretically, a hyper-chorus could sing material of this type but, perhaps fortunately, such a choir does not yet exist. Up until now, in the process of creation of my vocal music, I've kept two poles and influences in balance: that of madrigalism, in its late renaissance and contemporary incarnations, and that of hyper-polyphony, which is close to spectral music. Though not ever having actually written in one or the other of these two styles, I've always felt this unresolvable and fertile tension in my work." Recorded, composed and mixed by Alessandro Bosetti at GMEM (Centre National de Création Musicale in Marseille). Additional recordings by Attila Faravelli at Spazio O', Milano. Mastered and cut by Rashad Becker at Dubplates & Mastering, Berlin" - Holidays. Embossed lettering; Edition of 300.
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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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