The American author and composer PAUL BOWLES (1910-1999) wrote music that encompassed a broad variety of genres, including scores for theatre; opera; orchestration for ballet; chamber music; soundtracks for art lms; and piano compositions. Moreover, he also ventured into the realm of experimental sound recordings, particularly those of a style often referred to as musique concrte. Bowles died in November, 1999, in Tangier, Morocco, where he had lived since 1947. Increasingly frail during the last few years of his life, he was unaware that RAMUNTCHO MATTA and EMANUELE CARCANO had published, in 1998, an experimental piece of his music on Carcanos Alga Marghen CD label without copyright and misattributed the work to the artist BRION GYSIN. However, the CD, entitled The Pool K III, was composed and performed by Paul Bowles during the late 1950s, and is his most significant and extended creation of musique concrte, a part of his musical oeuvre least-known to his listening audience. It is Paul Bowles most unfathomable musical work, one not yielding to easy interpretation and unique to even his own wide-ranging catalog of compositions. It is a realm of sound that creates a dreamlike journey without a clear point of origin or destination-a sojourn to be experienced in its entirety, without stopping. JON CARLSONs notes set forth all the particulars, followed by additional notes from IRENE HERRMANN and JEFFREY MILLER. This Cadmus Editions/Dom America CD of The Pool K III reproduces the Alga Marghen release and restores the work to the music estate of its rightful author, Paul Bowles. - Dom America.
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.