I Dischi Di Angelica


"Composer and multi-instrumentalist Anthony Braxton is recognized as one of the seminal figures of the music of the second half of the 20th century and of the beginning of the 21st. Expressing himself through an enormous variety of mediums, Braxton has opened with his work new conceptual and technical paths in the trans-African and trans-European musical traditions, finding a highly original synthesis between jazz-based improvisation and the complexity of classical-contemporary music. Angelica Festival previously hosted Braxton in 2006 with Richard Teitelbaum, in 2007 with Cecil Taylor's Historical Quartet, and in 2018 for the premiere of his duo project with the harpist Jacqueline Kerrod; this new four-CD box release represents a further degree of exceptionality by documenting the entire 2022 European tour with which Braxton launched his new project for four saxophones. The distinctive feature of this new project is the addition of electronics: an interactive system in real-time, uniquely developed by Braxton using the SuperCollider platform, which acts almost as a fifth improvising member of the ensemble. Lorraine is the name Braxton coined for the compositional system that governs the first stages of this project still in progress: as he explains in the video-interview available online and on Angelica website, it is a "new system of poetics," a "mutable and fantasy space" which represents for the composer "the Aether level" (wind, breath, clouds), as opposed to the "ground" level he explored up to this point with his "Tri-Centric Thought Unit Construct," on which he based much of his music production from the 1980s onwards. Accompanying him in this new phase once again are musicians who have been part of his conceptual "music systems" in recent years, in the role of both instrumentalists and/or orchestra conductors: James FeiChris Jonas, and Ingrid Laubrock (replaced by André Vida for the Vilnius date only). Includes 40-page booklet with photos and an essay in English and Italian by Mario Gamba." - I Dischi Di Angelica.

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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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