What The..?

BRENT LEWIIS ENSEMBLE - At The North Pole, Easter Day, 1982

"Well there is much to say about this record of voices with much to say, so perhaps best to allow one who would know to speak the most for all --As part of the 25th anniversary of the Butte County Free Music Society, At The North Pole, Easter Day, 1982 follows The Butte County Free Music Society boxset Induced Musical Spasticity and The Brent Lewiis Ensembles Three Christs of Ypsilanti. Recording and performing primarily in the mid-to-late 1980s, with sporadic efforts in the early 1990s, this barely organized enclave based in rural Northern California ingests and disgorges outsider free music -É la Smegma and other bent LAFMS trippers, the UKs A Band, 5 Starcle Men, Gastric Female Reflex, Id M Theft Able, and the sort of visionaries currently promoted by labels such as Chocolate Monk, Destijl, and Ultra Eczema. Members of the Brent Lewiis Ensemble later migrated to Vomit Launch, Glands of External Secretion, The Idiot, Serious Problmz, and Bananafish magazine.In comparison to the only other available recording of a complete live performance by the group (the side-long -¢‚Ǩ-ìIndustrial Barbecue,-¢‚Ǩ¬ù on the above-mentioned BUFMS boxset), At The North Pole, Easter Day, 1982 is starker and more minimal overall. Performing as a quintet at a university open mic night in the student union cafeteria, the group had played live only once prior (a -¢‚Ǩ-ìbongos in the dirt-¢‚Ǩ¬ù affair in the parking lot of an art gallery), they had yet to amass the collection of ubiquitous tape players and answering machines that accompanied most subsequent performances and recordings. The absence of overt forward progress in some (WHAT THE? note: there is more notes and they will be included with the record)."Previously released on the Mary Jane cassette in 1983." -- Brent Lewiis spokesperson, BUFMS.One-sided LP with silkscreen cover designed by artist Paul Coors, from an idea , along with a BUFMS-supplied glow-in-the-dark mini poster. 129 copies limit on a history which has no." - What The..?

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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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