Cien Fuegos

BROTZMANN/HARRY MILLER/LOUIS MOHOLO, PETER - Opened, But Hardly Touched

On Opened, But Hardly Touched, the Brotzmann/Miller/Moholo combination displays the most accessible approach of the live trio recordings surveyed. An extemporaneous master who puts the spur in the spur of the moment, reedman Peter Brotzmann is surely one of Albert Aylers most vital sons for his blowing stamina and savage sense of humor. Bassist Harry Miller and drummer Louis Moholo lend the muscle needed to anchor and counterpoint the saxophonists wildest flights. Elsewhere associated with projects having a decidedly ethnic flavor, the two South Africans show off an earthiness that swings hard, in meter and out. The clarity of FMPs November 1980 recording beautifully underlines their contributions. The boundaries between composition and improvisation are intentionally blurred... The musics design suggests a certain inevitability as it effects pendular swings between quietness and intensity, solos and duets, microtones and staunch collective blowing. On the attractive opener, Eine Kleine Nachtmarie, Miller and Moholo pull rhythmically in and out of sync, juggling time against free sections, against the bleat of Brotzmanns soprano stand-in, the tarogato. Special Request for Malibu perhaps best reveals the sonic extremes. The spasmodic throes of Brotzmann on clarinet and tenor contrast with his big soft flaps of breath in duet with arco bass -- as Miller plays sinuous near-electronic sonorities, between notes and white noise. Through all of the performances Moholo pushes, restless and jabbing, but with flexible touch. --Down Beat, 1983; Pressed on 180 gram vinyl. Recorded live by Jost Gebers on November 5th and 6th, 1980 in Berlin. Peter Brotzmann (alto, tenor, and baritone saxophone, E-flat clarinet, tarogato); Harry Miller (double bass); Louis Moholo (drums)." Cien Fuegos.

  • Sale
  • Regular price $56.00


After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
I understand these terms