Alga Marghen

BRUHIN, ANTON - Vogelsang/Vogelsong/Vogelsung/Vögelsäng

"On the occasion of the 2015 exhibition Le Caselle di Anton Bruhin at the Istituto Svizzero di Roma in Milan, Alga Marghen presents the complete edition ofAnton Bruhins 1977 cycleVogelsang/Vogelsong/Vogelsung/Vögelsäng. If the idea of recording birds came from Bruhins friend, the Swiss painter Hans Krüsi (this was a common practice for the art brut master, who layered recordings of the many birds sharing his living space into primitive multi-track sonic sculptures), Bruhin is able to use the same material to create a cacophonic and distorted world of unrecognizable nature, all in one low-fidelity stroke. In the 1960s, Anton Bruhin began organizing happenings and performances, creating sound works, designing and typesetting his own books (which he self-published with Hannes R. Bossert through April-Verlag), and drawing and writing poetry. Bruhin was a member of the first class to study at the F+F Schule für experimentelle Gestaltung in Zürich with Serge Stauffer, famous art teacher and specialist in Marcel Duchamp, where he came into contact with concrete poetry, Fluxus, and experimental music. Dieter Roth and Andre-å¬Å Thomkins are recognizable influences too. In the mid-1970s, Anton Bruhin was surely at the peak of his tape manipulation work. Always using poor techniques and equipment, he sculpted everyday-life sonic objects and turned them into very accomplished and yet totally experimental musical artifacts. The works presented here belong to this same period of expanded creativity, combining themes of excess and chaos with a pragmatic interest in simple structural schemata. To be consistent with the aesthetic quality of these works, Alga Marghen presents each of these four CDs in a silkscreened jewel case, with the four CDs housed in a numbered slipcase. Limited edition of 200."- Alga Marghen.

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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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