"Frieder Butzmann and Thomas Kapielski's War Pur War was originally released in 1987 on Zensor and is here reissued by Bureau B. Composer, radio dramatist and performance artist Butzmann began exploring experimental music in the late 1960s. One of the pioneers of German industrial music and a member of the Geniale Dilettanten movement, Butzmann has collaborated with artists such as Genesis P-Orridge, Blixa Bargeld, and Santrra Oxyd, as well as releasing numerous solo works. Butzmann joined forces with author and artist Kapielski in the early 1980s. Most of their compositions are minimalist tracks interspersed with everyday noises and fragments of speech, as can be heard on War Pur War. This utterly unique work is an idiosyncratic mix of eccentric electro-pop and bizarre sonic collages and has gone on to become a sought-after collector's item. Remastered, includes new artwork, two bonus tracks, unpublished photos and liner notes by Butzmann. "War Pur War was created in my small studio at 11-13 Erkelenzdamm, on the same floor as the Institut Unzeit, where the Freunde Guter Musik were also based. The record gathers together an incredibly diverse assortment of short pieces with different backstories. When we had finished recording, Thomas Kapielski and I headed for Hamburg with the two ¼- inch tapes to master the A and B sides of the LP. The engineer was a really friendly guy. He spotted a phase shift between the channels and I'm eternally grateful to him for correcting it! He wasn't quite so meticulous when it came to calibrating volume levels for the record. The three of us -- Kapielski, the engineer, and I -- had a lot of laughs together, but our man didn't take the music particularly seriously and perhaps lacked a little bit of focus. Distribution difficulties meant that only a few copies of the disc made it into the shops when it was released in 1987, ultimately increasing its collectability as a rare item. The album illuminates the spectrum of differing, even contradictory Butzmann/Kapielski productions, whilst also marking the conclusion of a short epoch which began with punk, post-punk, the Zensor record shop and Genialen Dilletanten in Berlin. It continued through a period of "high cultural relations" before ending in the late 1980s which, by no means coincidentally, is when the duo broke up." --Frieder Butzmann, November 2019" - Bureau B .
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.