Ectoplasm Girls Nadine Byrne lures listeners into woozy mental states on Dreaming Remembering, her soundtrack to a short film of the same name, providing a solo follow-up to A Different Gesture: Collected Soundtracks 2011-2012 (2014), and her first outing since Ectoplasm Girls New Feeling Come (2016), which were both issued by Joachim Nordwalls ever-adventurous iDEAL Recordings. One of three Stockholm-based Byrne sisters along with Tanya, her partner in Ectoplasm Girls, and Ambra, who has recently provided EGs live visuals, Nadine Byrne operates at the intersection of intuitive sonic and visual arts. Where Ectoplasm Girls tend to a bewitched sort of industrial experimentation, Nadines personal work is defined in terms of its relative, mutable electronic sleight of hand, with vocals handled by the mysterious Sarah Kim. As the title connotes, Dreaming Remembering is about intimate reflection and the space between awareness and uncertainty of recollection. In that noumenal gooch, Nadine works an incredible freeform, uncluttered sound best resembling the illusive nature of dreams and their elusive memory. In her mind and out of her machines, they feel out a spectrum ranging from mirage-like vignettes like Atlas" through to curdled proto-techno buzzes and grubby drone intonations with wickedly possessed vocals. Extracted from the visuals, they patently work well as a dissociated body of work in their own right, with a cumulative effect that mesmerizes and unsettles throughout the album, bringing you out at the other end in a way that feels like youve just walked out of a darkened cinema into dusk, with the strange effect of the preceding visuals and a story you cant untangle still lingering like a pleasurably strange mental fug thats hard to shake or decipher. Singular sound and vision somewhere between Laurie Anderson, James Ferraro, and Ryan Trecartin. Mastered and cut by Matt Colton. Edition of 500." - Ideal.
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.