2016 release. "At the end of his time in Chicago, in 1999, Brian Calvin recorded a batch of new songs with poet Devin Johnston. Designed to be an album, mostly recorded and mixed by Jim ORourke, who also plays bass and contributes background vocals on some cuts, they were never released, languishing in the vaults for almost two decades. Calvin and Johnston had both been members of USA, the band that recorded an LP and an EP for Drag City in the two years before this music was recorded. On the occasion of The Meditations (2016), Calvins retrospective survey of the Chicago years, he and Johnston returned to the music and selected the keepers for a wonderful five-song CD EP titled Some Hours. Sparse and beautifully arranged, funny and poignant, they recall a time when people were debating the Windy Citys role in "post-rock" and folk-infused singing, and songwriting was melding with all sorts of other musical input, from Vandermark to Van Dyke Parks. "Noon", "March And April", "All We Know So Far", and "Three Walls" were recorded and mixed by Jim ORourke in Chicago, March 1999; "Goodbye" was recorded and mixed by Paul Oldham in Shelbyville, Kentucky, July 1999. All tracks were mastered by Konrad Strauss. Drawing by Brian Calvin." - Corbett Vs. Dempsey.
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.