"Où cela commence-t-il? Where does cultural appropriation end and procreational fusion begin? The answer to that depends on the perceiver. For some, applying the structures of electronic music to folkloristic samples may seem de-contextualizing. Yet when considering the similarity between dancefloor compositions and the minimalism of Steve Reich and Terry Riley, the gap to traditional music begins to fade away. They remain distinct mostly by aesthetic characteristics of sound. Nicolas Sheikholeslami's premiere solo record as Çaykh is named after the French conjunction "Où" -- meaning "where" -- as this was the linking element during production. We witness an attempt to re-contextualize music that travelled from analog tapes -- recorded in different localities along the Indian Ocean -- to a hard-drive via 192kb YouTube rips. The sample-based compositions were digitally arranged before regaining their warm sonic qualities in a vintage mixing studio. This EP assembles three metamorphic fourth-world disco pulsations. Expect some heavily trance-y and polyrhythmic analog-fi jams. Nicolas Sheikholeslami, aka Çaykh, is a Hamburg-born and Berlin-based DJ and producer. He is active as drummer and percussionist for the projects Spiritczualic Enhancement Center and Circuit Diagram. Çaykh's three earlier sound-collage cassette releases have already earned him a certain fame in the fourth-world and outsider-disco realms. His collection of pre-war Somali music called Au revoir, Mogadishu (2015) paved the way for the Grammy-nominated Sweet as Broken Dates compilation (2017), which he co-curated. Comes with download code; edition of 300." - Akuphone

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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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