_¢‚Ǩ_ìReissue on black vinyl, strictly limited to 90 copies, hand numbered, contains the original cover from the first edition plus the score, also numbered. Limited quantities available! "Symphony Natura op.170" (1985) is a long collage of electronic drones and animal sounds, recorded at the Zoo in Rome in 1985._¢‚Ǩ¬ù - Slowscan. \r\n

\r\n"First of all, I think of Bruckners great symphonies modelled after nature, from the days of flourishing orchestral culture, great feelings and gazing into the soundscape. Which was always the landscape of a concert hall and musicians dressed up as penguins, many violins. Originally most ideals of instrumental sounds were derived from animal voices or other sounds of natural phenomena. The violins, for instance: someone found out that stretched out, dried bowels could produce sounds, there is a funny saying: "My bowels are crying." \r\n\r\nThis has been civilized, "refined", and much has been achieved for the human mind (Save the Nature, use it). The strings have played spirituality to the human being. Today, however, I have the opportunity to treat the voices of sheep electrically so that they can be used as instruments for our acoustic expression and also to set us thinking about our present-day relation to nature - also to our own nature as human beings. I have worked with animal voices before, in the ROMA ZOO, e. g., I made a suite of animal voices which I called SYMPHONY NATURA, I have also worked with the howling of wolves and with canaries (The Green Birdchoirpiano - Museum of Art, Northern Jutland) ("Freedom Is Around the Corner" - Yellow Music in Berlin) and also monkey singing, all of it nature variations on tape. What is important to me now is where and in which context such works are being performed. I have been in concert halls, in theaters, but I am not really harpy with these environments for my animal music. I have to construct new "concert halls" for such works and therefore I really like this relatively large "Concert castle" on the meadow at the Danube in front of the famous Brucknerhaus, it is ideal for me and I am writing a new slogan: "Sheep instead of Violins." The meadow belongs to the sheep, it is their territory, thats where they belong and people come to visit them._¢‚Ǩ¬ù - Henning Christiansen. \r\n
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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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