Circuit Breaker is a band split in half. On the one hand, there is the jagged guitar and maudlin singing of Peter Simpson, which slots into the lineage of expansive and gothic punk ala Killing Joke, Bauhaus, Wire, etc. Pushing against it is the production approach of his brother Edward. Washes of glassy FM synth melodies are counterbalanced with bursts of electronic harshness, recalling artists such as Autechre or Pan Sonic. Hands Return To Shake is their second full-length. Moving on from the previous record, My Descent into Capital (HARB 151CD/LP, 2015), Hands Return is a much more personal and emotive work. Simultaneously a reaffirmation and a deconstruction of influences, the orthodoxies of minimal-synth and post-punk are stretched and squeezed to breaking point. Circuit Breaker is a band who relish in holding together contradictions. Both a rock band and an electronic act, they have a blunt and direct production approach which is full of technical detail. - Harbinger Sound.
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.