Hot Cars Warp/Flowerhouse


Recorded at Brooklyn's Issue Project Room, this live burble features Flower on Japan Banjo, Corsano on tubs and Heyner (or Bobby McGee or Count fucking Chocula or whatever he's calling himself here) doubling on bass (three tracks) and tubs (one track). Corsanos in his ferocious carpet bomb mode, laying down a thick lumpy rug of imaginary bubble wrap for the others to prance upon, and prance they do. Flowers doing a kind of China Pig upward spiraling wail on his axe, and Heyner (I mean Popeye or is it Count Floyd?) is bowing the shit out of his bass like some kinda arco dervish from the center of the earth. But its not all outward splange, here. No sir. There are other passages in the improv set that would make Matt Valentine put down his mug of butter beer, looks you right in the eye and say, Dude, that is smokin. What Matt would probably mean is that it sounds at times like these guys have been smoking cheeb and playing the kind of beautiful notes that reportedly fill the heads of those who indulge. And frankly, Im not sure if these three are users or not, but if they are, youll want some of what theyre using. Cause it sounds fucking tasty. Is it possible Corsano has been wearing a baldie-cap all these years and that hes actually a secret hippie? Not sure, but Flower has never been shy about his locks, nor has Heyner (or Emett Otter or whoever). So maybe Corsano's been packing inner hair all this time. Well, bully for him, I say. If this is what hippies sounds like, I declare peace with their whole tribe. - Byron Coley.

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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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