CUKOR BILA SMERT' - Recordings 1990-1993

"The founders of Cukor Bila Smert' (Ukrainian: Цукор Біла Смерть, English: Sugar - White Death) band were Svitlana Okhrimenko (a.k.a. Svitlana Nianio), Oleksandr Kohanovs'kyi, and Tamila Mazur, who studied at the Reinhold Glier Kyiv Academy of Music in 1984-1988. In the summer of 1988, they got acquainted with Eugene Taran, a young guitarist and artist. He joined the band and also became the ideologist of Sugar - White Death. The musicians gathered at Kohanovs'kyi's house, where they spent their free time not only playing music but also listening to and discussing new records and thinking about the conception of their new project. For two years, the band recorded a few home-made albums, such as Rhododendrons Coral Aspides in 1988 (which is considered lost), where Kostyantyn Dovzhenko took part as a guitarist and sound engineer. The band also recorded another album -- Lilies and Amaralises, in 1989, which is also considered lost. In February 1990, a quartet came to the Scientists House Studio in Kyiv, where they had one studio session only, recorded by Valerii Papchenko. Later, this tape got to Vlodek Nakonechnyj, the founder of Koka Records, a young Polish label. In November 1990, Sugar - White Death played their last gig as a quartet in Kharkiv. They were invited by Sergii Myasoyedov, who curated the art association Nova Scena (The New Scene). The band played selected tracks from the albums The New Sissies and The Shellfishes in Gold Wrappers (the last one is also considered lost). In 1992, they were also invited by Sergii Myasoyedov for a studio session in Kharkiv, where due to the efforts of Oleksandr Vakulenko, Sugar recorded the new album called All Secrets Of A Poem. In the autumn of 1992, the musicians went to Poland, where Vlodek Nakonechnyj, who wanted Sugar to come to a "real" studio, organized their last recording session. Although the journey's beginning was unsuccessful (Eugene's guitar was taken away by a customs officer when crossing the border), the musicians worked fast during the session at the Arek Was studio at Marki on an eight-track reel-to-reel machine. Boleslav Blazhchyk took part as a cellist, playing the parts created by Svitlana. The album was completed in three days -- the musicians spent two days recording and one-day mixing, mostly done by Eugene Taran. In 1993, this work was released as Selo ("The Village") album on cassette tapes by Koka Records. Later, Sugar - White Death was disbanded." - Shukai.

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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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