Feeding Tube


"Back in 2012 Mark Cunningham of Mars and Blood Quartet, who also records as a solo artist was back in Western Mass, where he once had some roots. Mark came by the store to hang, but he was itching to do something, so a jam was suggested. Once the shop was closed, Mark brought his trumpet back to the store. To meet him, Brett Robinson stood up his bass, Jen Gelineau lifted her violin and Ted Lee entered his percussion zone. At that time these last three were mostly gigging with Egg Eggs, but they didn't let that stop them from playing a light and fine improv set. On the first side, Mark's trumpet really sets the pace with long, loosely Baker-fried lines, and everyone hits a fine and abstract groove. On the flip, Jen's violin carries a bit more of the tonal weight with Mark dropping back into the shadows to lay strange accents onto her saw lines, while Ted and Brett both pop like knuckle monkeys. Now that's what I call music. Pretty dang bracing!" --Byron Coley, 2021" - Feeding Tube Records.
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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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