DALHOUS - The Composite Moods Collection Vol. 1: House Number 44

Blackest Ever Black

DALHOUS - The Composite Moods Collection Vol. 1: House Number 44

"House Number 44 is the first volume of The Composite Moods Collection, a cycle of Dalhous recordings that examines the relationship between two individuals cohabiting in a confined space -- their interactions, their sense of self and of each other, and the pregnant space between. One of these people, perhaps the protagonist of House Number 44, is (or at least feels) in fine mental health. The other appears distinctly unwell -- detached, isolated, often feeling helpless and unable to influence the world; at other times prone to committing acts of extraordinary aggression and manipulation. The title of The Composite Moods Collection nods to the world of film and library cues, riffing on the utilitarian idea of music "to suit the mood" and the appealing if archaic notion that a "mood" can be a discrete or fixed thing, a unit of feeling. Dalhous's Marc Dall takes this notion and runs with it, attempting to convey a bipolarity of mood, with each movement contradicting or erasing what came before. And so, while a finely crafted and very deliberate narrative connects each cue to the next, it is not a smooth or a linear path. On the contrary it is jarring, complex, subject to severe and sudden modulations. Though Dalhous's R. D. Laing trilogy -- An Ambassador For Laing (BLACKEST 003CD/LP, 2013), Visibility Is A Trap (BLACKEST 029EP, 2014), and Will To Be Well (BLACKEST 007CD/LP, 2014) -- is now complete, Laing remains a spectral presence in their work, and The Composite Moods Collection ultimately cleaves closely to recurring Dalhous themes of identity, behavioral modification, and self-help. Longtime followers of Dalhous will observe that House Number 44 contains some of their sparsest, most malevolent-sounding work to date (see especially the brooding synthesizer throb of "Response To Stimuli" and "End Of Each Analysis") but some of their most disarmingly beautiful too, with indelible melodies and atmospheres as deep as thought, including "Methods of Élan," "On A Level," and the elegiac "Lines To Border." Dall's enduring affection for neo-noir film scores of the '80s and early '90s, with their gleaming electronics and submerged existential torment, is more palpable here than ever, and you may also hear echoes of Klaus Schulze, Pete Namlook, or Eno's The Shutov Assembly -- but Dalhous continue to plot their own course, obsessively and meticulously, oblivious to contemporary trends and unconstrained by historical influence; driven, indeed, by their own demons." - Blackest Ever Black
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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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