DALHOUS - Will to Be Well

Blackest Ever Black

DALHOUS - Will to Be Well

"Will to Be Well is the new studio album by Dalhous, their second for Blackest Ever Black. This double LP reflects writer-producer Marc Dall's continued interest in the life and arcana of R.D. Laing, but also alludes to more universal and enduring mysteries: the relationships between body and mind, illness and wellness, the physical and the metaphysical. The 15 tracks assembled here also showcase the maturation of a uniquely gifted and expressive composer: Dall's stirring, efflorescent melodies and stately harmonic architectures, with their grievously honed simplicity, are a delight: lucid, lyrical, immediate. For all the modernity of Dalhous' approach, the album recalls a bygone era in synthesized and sample-based music, a time when its practitioners were not just set-designers but storytellers, too. Will to Be Well arrives just one year on from the Edinburgh-based project's tenebrous debut, An Ambassador for Laing (BLACKEST 003CD/LP), which was released to widespread acclaim in Spring 2013: The Wire praised "a frequently beautiful music, whose often calm surface belies the powerful currents moving beneath it," while FACT called the LP a "wonderfully compelling head-scratcher... opaque, elusive ... and fascinating." Nonetheless, a notable shift in tone has occurred in the 14 months that have elapsed. If Ambassador was a tussle between darkness and light that ended in stalemate, with Will to Be Well it seems the light might just be winning. Pieces like "Transference" and "Her Mind Was a Blank" project a rapturous psychedelic intensity; "To Be Universal You Must Be Specific" and "Entertain the Idea" adopt the serene ambient register of recent Dalhous EP Visibility Is a Trap; while "Sensitised to This Area" goes about its business with an almost Balearic swagger. But light, too, can be oppressive: the sun that gives life can also burn, and bleach, and blind. And even amid the endorphin rush of the album's most ebullient passages, there is the sense of a greater melancholy, an intractable doubt, lurking beneath the surface. Dalhous' music is suitably paradoxical, managing to sound at once futuristic and folkloric, both technologically advanced and avowedly pastoral. The elegiac repetitions of "A Communion With These People" and the pagan drones of "Lovers of the Highlands" speak of Dall and his studio partner Alex Ander's deep connection to the rugged contours of their native Scottish landscape, while on "Four Daughters by Four Women" and "Thoughts Out of Season" convulsive post-rave rhythms are employed to evoke ancient natural cycles. Though Will to Be Well is a less obviously eerie album than its predecessor, Dalhous' nose for the uncanny remains. A defining album from a major young artist." - Blackest Ever Black
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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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