"The two collaborators Gareth Davis and Scanner, known separately for contemporary electronic music and free clarinet experimentations, team up to create the delirious trip, Footfalls. Two scenes are presented here, seemingly taken from different sides of the same desolated seaside setting, loosely inspired by poet and novelist T.S Elliot and Samuel Beckett. In "Towards The Door", Gareth Davis's bass clarinet breathes slow, wave-like tones that merge with the oft-rhythmic electronic textures from his counterpart. A third of the way in, Robin Rimbaud's synth erupts into a Blade Runner-esque epic harmonic section that disappears as suddenly as it arrives -- leaving ripples of oscillation in its wake, slowly unfolding into the sound of waves, as it arrives back where it begun: as a full circle, drawn in echoes of sound. "Smokefall" begins with the words "Invisible Choirs", subtly spoken by a woman's voice among a blurred distant conversation, as textural sound effects creep forwards to the point where a slow progressing but steady LFO rhythm enters. Water, metal, and smoke are absorbed into a creeping tribal passage, accompanied by long clarinet tones. The piece expands further and further into a state of ecstatic harmonic noise that fulfills all parts of your body -- if played loud. Both artists from here on move into full on crushing electronics, all while Rimbaud's Kilpatrick Phenol synth drives the background with its pulses and repetitive bassline. The piece has an ellipse like rotation that makes one feel a sort of blissful vertigo that reverberates in your mind after the piece has ended. Footfalls is a euphoric trip from two artists that -- although prolific -- manage to arrive at the perfect meeting point to deliver two hard to shake pieces of dizzying electro-acoustic perfection. Metallic pantone spot color artwork. Orange vinyl; includes download code; edition of 300." - Miasmah .
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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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