fustron DECIMUS, 11

Digitalis

DECIMUS - 11

"Pat Muranos Decimus project has been all over the map in the past few years, undertaking a massive effort to put out a series of 12 albums in accordance with the zodiac of Decimus Magnus Ausonius. Previous to this, Murano was perhaps best-known as one of the founding members of No Neck Blues Band, K-Salvatore, and Malkuth, but it is with Decimus that the full story finally unfolds. With 11, Murano is going schizo and taking you down a hellish aural rabbit hole, deep into the abyss. Digitalis is not exaggerating when they say this might be the weirdest record they have ever put out. 11 opens with layers of looped, rusty-sounding strings mashed together with slowed down, death-rattle vocals. With buried crunch rhythms peeking out from the morass, the whole effect is like wandering through a funeral procession through a post-apocalyptic metropolis. Everything moves rapidly until it doesnt. Murano slows things to a crawl, pushing the demonic howl under a pane of glass. Blown-out minimal beats emerge to carry the bones along, but it feels like the worst is inevitable and theres no place to go but down. And thats when Murano pulls the rug out from beneath. Solemn guitar chords are plucked like feathers, mourning the loss of the sun but never losing faith entirely. Of course, thats just a tease because just as abruptly as it appears, the section is destroyed and replaced by sharp synth stabs and manipulated tribal death marches. Everything has a crunch to it. 11 sounds like an album that was found in a sandy tomb. Its simultaneously ancient and still looking forward. The whole album is so disorienting and disfigured that its oddly beautiful. The thing about this installment in the Decimus saga is how much of a story it tells. Murano deftly jumps from one chapter to another, throwing so many ideas and styles into the cauldron and spitting out something that flows like magic. This is the soundtrack for modern times, in all its ugly glory. Cut to vinyl at Dubplates & Mastering, Berlin. Artwork by Tiny Little Hammers." - Digitalis.

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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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