Die Schachtel

DI DOMENICO/JIM OROURKE, GIOVANNI - Arco

2016 repress. "Starting with this release (despite the fact that its catalog number numerically precedes ZEITC 017CD), Die Schachtel switches its Zeit Composers series to the vinyl format and begins opening up to international artists besides the usual Italian suspects. This LP features the collaborative effort of Belgium-based composer Giovanni di Domenico (of Italian origins) and avant-everything master Jim ORourke. A long composition for strings and electronics, Arco is a piece for sustained tones and drones, vividly immersive and almost physical. The subtly shifting tones, the way the overtones interact with each other, the evolution of the piece, are all impeccable, much in the vein of acclaimed composers like Catherine Christer Hennix, Éliane Radigue, and David Behrman, although with a "warmer" soul. It explores the antinomy between stillness and movement, building toward a hypnotic (and rewarding) aural experience. In Giovanni di Domenicos words: "Arco is born out of two necessities, strongly interrelated: 1) creating a sonic space where the concept of waiting (patience?) can turn into form, and 2) doing this together with Jim ORourke, a musician who finds in form and its use his true greatness; The structure of the composition is quite simple: it is based on a cell of four repeated notes (the DNA of the piece), forming a melodic/harmonic texture which slowly freezes into suspended, levitating chords, in which the passing of time itself becomes a sort of harmonic extension, and in which the strings and the splendidly rich sonic palette of the electronics fuse into the true essence of Form." Each LP contains a 90x30cm-long tri-folded silver-and-black offset art print designed by Dinamomilano. Edition of 350. Giovanni di Domenico: string score; Jim ORourke: electronics. Ananta Roosens and Benoit Leseure: violins; Nicole Miller and Jef Durdu: violas; Marine Horbaczewski and Jean-Philippe Feiss: cellos." - Die Schachtel.

 

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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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