DYDO & ALAN SONDHEIM, STEPHEN - Dragon and Phoenix

Dragon and Phoenix refers to the names of the sound holes on the Chinese instrument known as the guqin, aka qin (gu is a prefix meaning ancient"), which figures prominently on this album of improvised acoustic duos, being heard on thirteen of the sixteen tracks, with two qins on four tracks. Stephen Dydo, former president of the New York Qin Society, is the more traditional player here, whereas Alan Sondheim has a style heavily based on free improvisation. The two bonded over their instrument collections, sometimes trading or loaning choice items. Dydo, who has also had lengthy careers as classical guitarist and as a twelve-tone composer, once told the author that a good day of composing yielded a measure and a half; this painstaking attention to detail has stood him in good stead during his more recent study of the qin. Sondheim, who has previously had three releases on ESP-Disk starting in the 1960s and has prolifically spread his recent musical evolution across a variety of other labels, is an impulsive musical adventurer who uses his dizzying array of instruments for what their sounds can contribute to his musical style; he is not unaware of the traditional performance techniques of his instruments, but he never lets his musical expression be limited by or to those techniques. Except for the use of madal (a hand drum) on one track, all the music here is made with stringed instruments. The music is very often focused on contrasts of timbres and textures. However, there may be as much pure melodic content here as on any Sondheim album. Harmonies are spare but spiced with microtonality. Though it may be more subtle than much of ESP-Disks catalog, attentive listeners will likely find that this meeting of tradition and experimentation lives up to an old ESP-Disk slogan: "You never heard such sounds in your life." A note about the track titles: They are based on the first sixteen characters of the Chien Tzu Wen, translated by Ellen Zweig and Alan Sondheim, correlated with other English translations in Chien Tzu Wen, The Thousand Character Classic, A Chinese Primer, edited by Francie W. Paar (1963). The translation is slightly modified for the CD, creating an almost haiku-like poem. Personnel: Stephen Dydo - qin, viola, banjo; Alan Sondheim - qin, viola, banjo, guzheng, rababa, erhu, madal." - ESP-Disk.

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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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