"The rediscovery of J D Emmanuel by critics and audience in the early 2010s and Emmanuels comeback to underground scene were crucial in reweaving the development of electronic music in the early 80s. This deluxe three-LP set casts new light on Emmanuels first activity of composing and performing electronic music in 1979-83, collecting experiments never before released on vinyl, some of which are previously unreleased in any form. Certainly seminal minimal works such as Four Organs (1970) and Violin Phase (1967) by Steve Reich and A Rainbow in Curved Air by Terry Riley (1969) -- as well as Cluster, Harmonia, and Peter Michael Hamels early-70s work -- had a decisive impact on Emmanuels debut. However, since his beginnings he has reshaped and reformulated his sources of inspiration with unparalleled maturity and accuracy of vision. His poetry is closely tied to the will to expand consciousness and explore altered states, but more than a cosmic traveler, he appears as a courier of soul and heart -- a self-described "student of the metaphysical nature of the Universe." Magician of an incredible variety of analog keyboards, Emmanuel conceives sound as dynamic translation of forces and organic, expanding flows of energy. The cyclicity of patterns and phrases refers to minimalist traditions, but his music has little in common with something purely mathematical; using an approach to improvisation colored by his interests in jazz and the temporal expansion of rock jams, he charges harmonic sections with an intimate spontaneity and freedom without boundaries. These 14 "vaporous drawings," presented with photos and writings, evoke a primordial state of grace in the listener, in parallel to Emmanuels contemporary ancestral work Wizards from 1982 (IMPREC 305CD). (This set contains two tracks that were initially included on the original Wizards release, but replaced by other tracks just before the final master.)- Black Sweat
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.