EXIAS-J - Live Document 2003-2005

Free improvisation may have provided the original touch-paper for Exias-Js inception as a group, but by the time of the performances documented on this DVD we had gradually begun to move beyond it as a category. For instance, we began to incorporate deliberate internal structures in the form of compositional techniques such as minimalism, twelve-tone or atonalism, and we started to interrogate musical forms such as the sonata or ostinato. Or else in performance, we adopted approaches such as reliance upon a restricted number of modes, variations on a particular theme, extended instrumental technique, and forms of expression based on (non-harmonically structured) sound images themselves. In order to construct these phenomenological relationships, multiple techniques have been employed here, however, they appear to be completely subordinated to receptive function of the viewer and the creative function of the musicians. I believe that this is something of which we can be justifiably proud. Since music relies upon these phenomenological relationships as its medium, I never like to make light of the methods by which modes and phenomena can be generalized, however, I have no desire to turn a method into a goal. --Kondo Hideaki. Third release on PSF by Exias-J (Experimental Improvisors Association of Japan), Japans most conceptually-determined improvising collective and their first DVD. Containing three performances from Tokyo and New York, this is a challenging clash of methodologies and sonorities, hugely exciting in its electric power and formal heft. 142 minutes, region free, NTSC format, 4:3. -PSF.

  • Sale
  • Regular price $25.00

After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
I understand these terms



Sold Out