Captain Trip

FARREN, MICK - Mona/The Carnivorous Circus

Debut solo album of former Deviants leader released on Transatlantic in 1970; primarily hard-rocking heavy metal-ish versions of R&B songs. Farren had returned to the UK from a tour of the west coast of North America with The Deviants, who had risen up against him and sacked him. Farren had, however, previously discussed the idea of a solo album for the second LP of three on the Transatlantic contract. I was crazy when I did Mona-¢‚Ǩ‚Äùreally mentally ill," Farren has said. "If I listen to it I can still feel it. Maybe I should have chilled out for a few months before making the album, but I was a bit depressed, and I thought Id just do it entirely my own way for the first time." Carnivorous Circus is a montage of song and spoken word, featuring interviews with a Hells Angel and Steve Took, the latter recounting time he spent in Ashford Remand Centre, as well as recordings of political speeches. Took also provides lead vocal for the short Observe The Ravens section of the title track. Also, during the Society of the Horsemen jam he quotes a lyric ("it dont feel good, cos it was made out of wood") from one of his own songs, Steel Abortion (later recorded by his band Shagrat). The cello on "Mona" was provided by Paul Buckmaster, who had demonstrated to Farren the similarities between Bo Diddley and Bela Bartok." - Captain Trip. Original copies of the 1999 CD release.

  • Sale
  • Regular price $10.00

After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
I understand these terms



Sold Out