Unreleased material by Luc Ferrari, released here on Sub Rosas Early Electronic series. Two tracks from the forthcoming three-CD box set devoted to Luc Ferraris film music. Not only does the collection reveal a little-known chunk of Ferraris oeuvre as a composer for the screen, it also sheds light on the ties between cinema and musique concr_ɬ®te, especially during the fruitful period that stretched from the 1960s to the 1980s. Tinguely (1967) is a musique concr_ɬ®te piece for a television program by C. Caspari. From recordings made by the composer in 1966 at an exhibition of Jean Tinguelys work. Once the 110V Liliput engine is turned on, the sculptures start moving instantly in unpredictable ways, as if they had suddenly become frantic. They move in disorganized and excited ways; each action brings them on the verge of self-destruction. Tinguelys Balubas" illustrate how ephemeral and intangible art and life are. The "Balubas" carry joy and despair, fascination and disillusionment. Dernier Matin dEdgar-Allan Poe (1964) is a musique concrete piece for a short 33mm black-and-white film by Jean Barral." - Sub Rosa.
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.