A trance-tape piece, constituting one of three known examples of the Illuminatory Sound Environment genre (the other two being Catherine Christer Hennixs The Electric Harpsichord (Die Schachtel 2010) and HENRY FLYNTs upcoming Celestial Power (Quadraphonic Version)). JOHN BERDNTs enthralling liner notes explain ISE as an unfurling sound field of overwhelming but far from gratuitous sensuality, a highly tuned texture where all of the aspects are coordinated to make a deeply unusual whole, a new kind of perceptual gestalt.... The piece has a disorienting flow that does something strange to time. Its internal structural logic is fascinating but lacks the distraction of an obvious narrative drama-an eternal sound, implying a potentially endless process.... Glissando No. 1 is perhaps the darkest and most feverish expression of the genre, its massed strings and continual timbral transformations covering both a broad audio spectrum and saturating all points in the stereo field with a hallucinogenic and emotive canopy." Companion track "Stereo Piano" from 1978, performed by CATHERINE CHRISTER HENNIX, is also included (her "billowing cloud" piano technique applied to a scale of Flynts, subsequently layered by Flynt himself). With sixteen-page booklet." -Recorded.
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.