20 City


New Zealand sound artist Richard Francis (aka Eso Steel), is the thirdartist released on cmr and the first 3-¢?¬ù CD from the label. Richard has beeninvolved with experimental music since 1996 when he began his first soloexcursions (combining tape looped instrumentation with field recordings) andplayed in a guitar improvisation group with Birchville Cat Motels CampbellKneale, called Small Blue Torch. His sound making since then has exploreddifferent techniques of CD sampling and abstraction, with a focus onelectroacoustic collection and abstraction/manipulation of field recordingsfrom various natural and mechanical sound sources. He has released soundworks on labels such as Last Visible Dog, USA; Drone Records, Germany;Stateart, Germany; Absurd, Greece, with numerous releases on his own labels20city and CMR, and has toured extensively in Japan, New Zealand, and mostrecently the West Coast of the US.Three Tracks (co-released by CMR, New Zealand and Stateart, Germany)contains three compositions recorded mid to late 2001 in Japan (whereRichard formally resided) and mixed in mid 2002 in New Zealand. Usingcontact and stereo microphones, field audio material was gathered fromorganic and mechanical sources, found in both interior and exteriorlocations in and around Tokyo. Richard uses the subtle elements of theserecordings (quiet electrical hums and crackle, amplified ambient nearsilences, minute occurrences) and carefully abstracts and arranges them intotexturally detailed, engaging compositions. Three Tracks sits nicely inRichards catalogue of audio manipulation, following a well received 7-¢?¬ù(under his moniker Eso Steel) on Drone Records, and an LP on 20city. - 20 City.

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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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