Omega Point

FUJIEDA, MAMORU - Obscure Tape Music of Japan Vol. 11: Radiated Falling

Mamoru Fujieda is a Japanese post-minimalist composer, and Edition Omega Point releases some of his work from the early 80s. Both Radiated Falling" (1980) and "The Art Of Fugue" (1981) are tape compositions in which sound materials of a prepared piano are electronically-processed and modulated in various ways. "Radiated Falling" is based on "Falling Scale No. 2" for piano (1975). The series of works entitled "Falling Scale" are composed almost entirely of descending scales as their structural elements. In these works, patterns are automatically produced by the difference in the number of scale tones or through the temporal discrepancy made when the tones descend. In "Falling Scale No. 2," a spiral line is successively transformed. The artist piled up the spiral line in several layers with the uneven timbres of the prepared piano producing sound materials for "Radiated Falling." The sound materials were then transformed to layered sonic textures through the ring modulator, the phase shifter, the harmonizer, and various delay processes. "The Art of Fugue" is based on a simple fugue in four voices from the first piece in The Art Of Fugue by J. S. Bach. The four voices were randomly cut into fragments, which were then reassembled to form four new voices. Each of the voices played by a differently prepared-piano was recorded on a multi-track recorder to produce sound materials for the piece. The sound materials for the prepared piano were then electronically-modulated and spatially processed. The randomly cut fragments of the fugue are interwoven at different tempos to make it "The Art Of Fugue" on the brink of collapse." -Edition Omega Point

  • Sale
  • Regular price $27.00

After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
I understand these terms



Sold Out