Table Of The Elements

GATE - The Dew Line

Twenty years is long enough: Its time to acknowledge Michael Morley as an indie-rock patriarch. And why not? As the guitarist and vocalist for New Zealand noise-trip trio The Dead C and the man behind Gate (ostensibly a solo project, although Sonic Youths Lee Ranaldo makes frequent guest appearances), Morley is the rare artist that record-hounds love to unearth: an isotope in the body Pop, radiating an invisible influence. With scores of micro-batch releases and an unmistakably intimate performance idiom, Morley ranks in the company of Jandek or Loren Connors, but its geographic isolation rather than social disengagement that has deflected his work from reaching more ears. Still, if you dont recognize his name, youve heard his reverberations, in the ambient post-rock of Flying Saucer Attack and Labraford, the neo-psychedelia of Bardo Pond, and the fidelity-challenged whorl of Pavement and Sebadoh. Recorded in 1993 and out of print since, Gates The Dew Line is the first part of his rock trilogy (followed by The Monolake in 1996 and The Wisher Table in 1999). Rock it does. Typical Gate/Dead C no-fi guitar subduction and Morleys locked-in-the-car-trunk vocals are prominent, but theres also a hefty amount of scraping synthesizer menace and paleozoic riffage. The crust of noise is there, but crack open the sonic geode and youll discover some nifty songstyling. In someone elses universe, the gem of an opening track, Millions, gets play on AM radio, while Have Not climbs the FM charts. Full of brooding atmospherics, The Dew Line is the most -- dare we say it -- accessible of any of Morleys records, and it stands on an equal footing with his Dead C high-water mark, Harsh 70s Reality, as an anti-rock rock classic. - Table Of The Elements.

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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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