GEORGIA/BELLOWS - Decouple ][ Series

"The first in a series of six split records concerning dependencies, miscommunication and increasing complexity in our media-saturated digital era. Georgia and Bellows inaugurate the Decouple ][ Series with works between futuristic eclecticism and avant-garde pan-aesthetics, where musical themes flow tangentially. Similar, but without effectively engaging one another. A metaphor for a world of surfaces. Recorded in Georgia's Chinatown NYC studio, "Tiwala Sa Bhuay", featuring Gabi Asfour, abruptly throw us into freaky percussion clusters constructed from heavily processed sounds which seem to keep in balance just by the magic of repetitions. Justin Tripp and Brian Close's stylistic fusion acts like an antidote against GPS localization, with sounds and voices more reminiscent of data flowing through a proxy server than an acoustic performance -- a myriad of tiny elements resonates with the multi-cultural a-geographic perception of a contemporary metropolis. "A Habitual Sway" (an anagram of the first title) flows more slowly, mixing hypnotic rhythmic percussions loops, melodic sketches, and controlled distortions into sophisticated layers. Naïve digital strings pads incursions widen the picture further. Georgia run an NTS monthly residency of oddball electronics. Digging into their sound archive, Bellows build an immersive Konrad-esque 19 minutes of humid and winding electronics with "Untitled". Drawing on years of improvising experience, Nicola Rattiand Giuseppe Ielasi take a puristic avant-garde approach, using tape loops, static, modular synths and field recordings. A subtle nostalgia pervades the whole work - the music sneaks through lush, decadent dystopian visions like in a travelogue. Mallets, statics, cut-up white noise, synthetic kicks, and uncannily pitched voices branch out like roots, while digital birds whistle all around in an aquatic atmosphere, perhaps suggesting an ironic take on "Orientalism". All cover pictures for the Decouple ][ Series are taken from Alice Bonfanti's Transparent Things(1997), courtesy of the artist. Includes download code. Mini-LP split, with 14- and 19-minute sides." - Ooh-Sounds.
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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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