GERNES, POUL - s/t
"Penultimate Press is proud to release a unique vinyl of the only known recordings by Danish artist Poul Gernes.
Poul Gernes only ever recorded just under 20 minutes of music. His entire musical production is therefore on this LP. The recording was done on a Tandberg Recorder at Poul Gernes house in the south of Sweden in 1969. He is playing an old harmonium salvaged from a local primary school. The result is an informal quasi_Ǭ_-drone work, which, along with the ambient sounds and domestic interference, comes across as a snapshot of the recording itself, a sonic Polaroid.\r\nPoul Gernes (1925_Ǭ_-1996) was one of the central figures in Danish art life during the latter half of the twentieth century. His experimental art holds a firm place on an international level and as one of the founders of the legendary Den Eksperimenterende Kunstskole (The Experimenting Art School) he has exerted considerable influence on a whole generation of artists who make up the Danish post war avant_Ǭ_ garde. His wide-ranging body of work is still a source of inspiration for younger generations of artists in Denmark and abroad.\r\nThis recording was initiated by John Hunov who was the chairman of Ung Dansk Kunst (Young Danish Art) an association for the presentation and publication of many Danish artists of the period. A series of cassettes were commissioned as a supply on demand service prompting Poul Gernes to instigate a musical work. \r\nThe recording was done during a prolific period of creativity and lingers in the current spirit of endless possibilities. The combination of an old harmonium and a tape recorder manifests a yet untried option: why not compose music as well? A childs voice, his daughter Ulrikka, is heard making small remarks and pointing out when the needle enters the red. This audial domestic background is too included as an incidental yet natural part of the work as Poul Gernes saw no limit between art and life.\r\nPoul Gernes major musical inspirations at the time were J.S. Bach, Terry Riley and Gregorian chant. An alleged encounter with John Cage and close collaborations with, for instance, composer and Fluxus artist Henning Christiansen are likely to have encouraged the musical endeavour. During the 1960s Poul Gernes also made a large number of happenings and performances, together with amongst others Per Kirkeby and Joseph Beuys.\r\nOriginally issued in a miniscule edition on cassette in 1969 this was re-issued in 1998 as a very limited edition CDR via John Nixons Document Records, Australia. This is the first vinyl issue of these recordings.
\r\n\r\nPoul Gernes comes as limited edition one sided lp of 400 copies. A beautiful etching of a Gernes painting appears on the b-side and all is packaged in a full colour sleeve retaining the nature of the recording itself. Also includes an insert with a list of Pouls hypothetical track titles." - Penultimate Press.\r\n\r\n\r\n\r\nFor more information on Poul Gernes: http://www.gernes.dk
Poul Gernes only ever recorded just under 20 minutes of music. His entire musical production is therefore on this LP. The recording was done on a Tandberg Recorder at Poul Gernes house in the south of Sweden in 1969. He is playing an old harmonium salvaged from a local primary school. The result is an informal quasi_Ǭ_-drone work, which, along with the ambient sounds and domestic interference, comes across as a snapshot of the recording itself, a sonic Polaroid.\r\nPoul Gernes (1925_Ǭ_-1996) was one of the central figures in Danish art life during the latter half of the twentieth century. His experimental art holds a firm place on an international level and as one of the founders of the legendary Den Eksperimenterende Kunstskole (The Experimenting Art School) he has exerted considerable influence on a whole generation of artists who make up the Danish post war avant_Ǭ_ garde. His wide-ranging body of work is still a source of inspiration for younger generations of artists in Denmark and abroad.\r\nThis recording was initiated by John Hunov who was the chairman of Ung Dansk Kunst (Young Danish Art) an association for the presentation and publication of many Danish artists of the period. A series of cassettes were commissioned as a supply on demand service prompting Poul Gernes to instigate a musical work. \r\nThe recording was done during a prolific period of creativity and lingers in the current spirit of endless possibilities. The combination of an old harmonium and a tape recorder manifests a yet untried option: why not compose music as well? A childs voice, his daughter Ulrikka, is heard making small remarks and pointing out when the needle enters the red. This audial domestic background is too included as an incidental yet natural part of the work as Poul Gernes saw no limit between art and life.\r\nPoul Gernes major musical inspirations at the time were J.S. Bach, Terry Riley and Gregorian chant. An alleged encounter with John Cage and close collaborations with, for instance, composer and Fluxus artist Henning Christiansen are likely to have encouraged the musical endeavour. During the 1960s Poul Gernes also made a large number of happenings and performances, together with amongst others Per Kirkeby and Joseph Beuys.\r\nOriginally issued in a miniscule edition on cassette in 1969 this was re-issued in 1998 as a very limited edition CDR via John Nixons Document Records, Australia. This is the first vinyl issue of these recordings.
\r\n\r\nPoul Gernes comes as limited edition one sided lp of 400 copies. A beautiful etching of a Gernes painting appears on the b-side and all is packaged in a full colour sleeve retaining the nature of the recording itself. Also includes an insert with a list of Pouls hypothetical track titles." - Penultimate Press.\r\n\r\n\r\n\r\nFor more information on Poul Gernes: http://www.gernes.dk
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