Upset the Rhythm

GREEN CHILD, THE - S/T

The Green Child is the long distance musical collaboration of Mikey Young and Raven Mahon, who met in 2013 in when their bands, Total Control and Grass Widow played a show in Oakland, California. They started writing songs together in Australia in 2014 and the project has been on a slow burn since. Their self-titled debut album is the culmination of few years of putting ideas together internationally and periodically recording in Mikeys home studio. Some of the lyrical content and the bands name was inspired by Herbert Reads 1935 utopian, communist, sci-fi novel called The Green Child. With such a choice name, its no surprise that The Green Child draw their sound from an illusory past as much as they stalk into pastures new. Broadly retro-futuristic in scope, verdant acres of lushly evocative synthesizers and blippy drum machines underpin most of their upbeat yet decidedly uncanny songs. Ravens calmly scenic and measured vocal flits like a will-o-the-wisp throughout the tracks, proffering a guiding hand as she walks us through the often eerie, electronic concoctions. Traveler" opens the album all redolent, beat-minded, and labyrinthine. Twisting melody lines swirl and envelop like a sandstorm, whilst Raven coolly projects on a "solitary man" lost to "green oblivion". Similarly, "Her Majesty II" glistens with its playful yet plaintive vocal and iridescent arpeggios, whilst "Bertha" slows things down with tumbling chimes and stately use of space. The Green Child is adept at atmosphere, their songs are refined from gently unfolding ideas that never fail to realize and build to their potential. Tracks like "Walking Distance", featuring Al Montfort on saxophone, and "New Years Eve" are exercises in evolved composition with ideas budding off and blossoming into truly resonant dimensions. The bands cover of "Marie Elene", by Keith Pearson, and closing track "Destroyer" are further crowning achievements, both pieces subtly handled with poise and ample melancholic grandeur. The Green Child fix their sights on the heights they want to reach within their songs and much like the project itself dont want to rush to the finish line. When it becomes more about the unfurling journey, why not take the time to enjoy the trip and burn slower?" - Upset The Rhythm.
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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.



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