"Malcolm Green (b. 1952) is a British artist, dancer, and publisher. His eccentric, liquid ideas seem to come with a smile. Or is it a wry grin? His colorful paintings, usually adorned with phrases, are little riddled plaques. Luckily, Malcolm is of the ilk of visual artists who also records audio works (this multiplicity is always interesting). Green's own label Seedy CDs/Sieh Dies issued a number of CDrs between 2000 and 2005, including many of his own works, along those by friends Jan Voss and a CDr reissue of Dieter Roth's classic Die Radio Sonate (2006). Green is, in fact, a member of the Dieter Roth Academy -- and furthermore gracefully ropes the pillars of Roth into his own artistic process. When Recital head Sean McCann approached Malcolm about republishing an album, Electric Landlady excited both of them immediately. It is the sound of an Epson 90-dot matrix printer running sheets of the score for John Cage's 4'33". It is piercing, though a world of ricocheting meaning can be uncovered in between the lines. Green says, "this particular rendering of Cage's handwritten score is in fact somewhat contrary to Cage's intentions, because every performance on the Epson 90 will be more or less identical. For this reason I have titled it differently: Electric Landlady -- in honor of a felicitous misprint of the famous Hendrix record I once encountered in Italy." The subsequent tracks are beautiful, harmonic re-renderings of the printer's voice, "played live without post-editing, with the (accidental) addition of a booming guitar sound that came with the PC program I was using." Electric Landlady concludes with a jaw dropping DJ-remix of the printer, with airplanes and dogs flying high above a field of beats. Includes four-page pamphlet holding program notes by Green; Edition of 150." - Recital
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.