Gonzaï Records present a reissue of George Grünblatts K-Priss, originally released in 1980. Following the 2016 reissue of Pôle, the 1975 album from Besombes & Rizet (FBK 003LP, 2016), Gonzaï Records goes on with réhabilitation of French weird-but-great bands. Next step is K-Priss by George Grünblatt, co-founder of the cult band Heldon, author of a solo LP inspired by Philip K. Dick, recorded in 1977 then published in 1980. After that, George Grünblatt became a famous psychiatrist for the next 40 years, til Gonzaï Records knocked to the door... Recorded on 1977 at Ramses Records studios, the first and very last album from George Grüblatt sounds like an instrumental disco-prog weirdness of 38 minutes, where you can find the best rhythm section of Paris at that time -- bassist Didier Batard from Space Art, Christophe, and Heldon, Michel Ettori from Weidorje, and Jean-Philippe Goude -- reunited around the two founding members of Heldon, Richard Pinhas and George Grünblatt. Since he began music, Grünblatt tried to conciliate his two loves, music and psychiatry, alternating lessons with Gilles Deleuze, Michel Foucault, and Jean François Lyotard and ramshackle recording sessions with Heldon, where he played synths and guitars from the beginning till Its Always RocknRoll (1975). By that time, he decided to record what still remains his only solo album, K-Priss, from the name of an alien hallucinatory drug invented par Philip K. Dick in The Three Stigmata Of Palmer Eldritch (1955). Five instrumental tracks, oscillating between futurist free jazz and novo-rock. Mutant Sounds on K-Priss: Its a kind of Grail. But its not just a big experimental French record, its also a big piece of French cheese, an incredible record in many ways." Grünblatt signs with K-Priss one of those indescribable pieces that make all the charm of the marginal France of the seventies. After the recording, the freak will be invited into the German forest for a week to play with Klaus Schulze (Tangerine Dream, Ash Ra Tempel) but he will finally decide to devote himself entirely to his profession of psychiatrist and psychoanalyst until... Gonzaï Records, 40 years later, did find him to reissue this album oh so disturbed. For fans of Cluster & Eno, Bernard Szajner, Jean-Michel Jarre, Zombie Zombie, and instrumental science fiction." - Gonzai.
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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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