Unseen Music

HELIOS - Yume

Yume takes its title from the Japanese word for dream" and delivers an otherworldly ambient-electronic hybrid thats cinematic in scope yet intimate in emotion. In making the album, composer and multi-instrumentalist Keith Kenniff (the sole artist behind Helios) has created a warm sonic tapestry from luminous guitar lines, elegant piano work, ingeniously-crafted rhythms, and lo-fi electronic elements. Though Kenniffs graceful maneuvering of mood and tone lends Yume a journey-like quality, the album offers pieces as captivatingly disparate as "Pearls" (which blends heavy beats and lilting piano melodies; cascading guitar riffs and airy atmospherics) and "Embrace" (which closes out the album with a glimmering expanse of sound). Built from both electronic experimentation and live instrumentation, Yume also constructs its richly-detailed textures by drawing from a repertoire of sound that ranges from toy tambourines to serendipitously-recorded environmental noises. Raised in rural Pennsylvania, Kenniff put out Helioss 2004 debut album Unomia while studying percussion at Bostons Berklee College of Music. Since then, hes released five more albums as Helios, in addition to collaborating with his wife Hollie Kenniff in the shoegaze-inspired pop duo Mint Julep and composing music for such clients as Paramount Pictures, Apple, Facebook, and Google. CD includes two extra tracks." - Unseen Music.

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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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