Side A of this split LP features self-proclained -¢‚Ǩ-ìKing of Noise-¢‚Ǩ¬ù, Jojo Hiroshige, founder member of the legendary Hijokaidan and stalwart of the Japanese noise scene.The B-side is engraved with the naked and guttural voice of sax-player Tamio Shiraishi, accompanied here by guitarist MalenkovBoth sides appropriate the Enka repetoire in remarkablky different ways. Jojo Hiroshiges howled declamations and metallic scoria guitars chisel these old Enka ballads into something more monstrous while Malenkovs flamenco arpeggios bandage torn lace around Shiriashis voice. Shiraishi recorded these songs in Uramado, a small kabuki-cho bar haunted by the ghosts of the Tokyo underground. Wandering through the streets of this floating world, one gets re-acquainted with those long lost voices of Enka.This document is only a superficial incision into the exquisite corpse of the Japanese underground, a body of work where traditional and modern musical lines converge and take their rest, having now been cast into oblivion by the relentless changing trends. Enka music is deeply anchored in Japanese society and still remains influential today among those who frequent Karaoke bars where singing is the preferred language. - An Archives. Silkscreened jackets by Alan Sherry of SIWA.
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.