Robert Horton made a monumental splash into the scene of free music in 2005. With nearly 30 years of experience under his belt, the catalog of recordings hes accumulated is enough to make even the most prolific artists blush. After taking a hiatus from releasing music from the mid 90s until now, the dam finally broke in 2005 with the release of Angel Humming Through Wire on Foxglove. Ever since, Horton has released albums on Celebrate Psi-Phenomenon, Jyrk, Important, Nosordo, Last Visible Dog and more. Dirt Speak is Hortons first solo CD release under his own name. When he plays with close collaborators Tom Carter (of Charalambides), Yellow Swans, and others, Horton takes on the role of primary curator. He weaves his magic into the sounds of others with mathematical precision. In his solo works, he takes this boundless inspiration and pushes it even further. Organic, insular drones are the backbone of Dirt Speak, but the heavy tinges of folk, jazz, and musique concrète are equally important to its unique sound. Horton will use anything that makes any kind of sound as a source for his music. In addition to more traditional instrumentation, Dirt Speak also features the use of vibrators, an electric toothbrush, and even the sound of contact mics in a fire. In a world full of copycats and fakers, Robert Horton is one of the most original voices to emerge in music in recent memory. - Digitalis.

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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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