Feeding Tube

IDITAROD, THE - The Ghost, the Elf, the Cat and the Angel

"It is with great pleasure we announce the vinylization of the fourth (of five) albums released during their lifetime by this superb Providence-based acid-folk duo, who existed from 1996 to 2003. The Iditarod was primarily the vehicle for Carin Wagner and Jeffrey Alexander, who created a spare UK-damaged folk sound with intimate psychedelic touches and fully contemporary atmospherics, although they often had friends along for the ride. On this album (edited down from the original CD), guest musicians are Matt Everett (from Alec Redfearn's band, Eyesores), Jesse Poe (from Tanakh), and Margie Wienk (of Fern Knight and Eyesores). Together, they create a lovely haunted forest of sounds. Although the ensemble is small, certain passages (like the traditional 'Let No Man Steal Your Thyme') have a jazzy lilt that evokes Pentangle, despite the fact the arrangement is quite stark. Somehow they manage to capture the essence of a full band despite their actual size. On the opposite end of things is a track like 'Cycle Circle,' with backwards guitars, dolorous bells chiming in the distance, and a vocal from Carin that sounds like spirit projection. In between there are a host of excellent surprises. The album was recorded in Richmond, VA in 2001. It was originally issued on CD by the Bluesanct label, and came out a little bit before the whole New Weird America thing took off. This was back when there were a lot of people trying out different approaches to unlocking the secrets of the acid folk tradition, but before there was a name for what they were doing, or any kind of real scene to chronicle. In that sense, The Iditarod were a bit ahead of their time. But we won't hold that against them. I have lost track of what Carin is up to these days, but Jeffery has kept busy, with bands like Dire Wolves and solo projects like Meditations for Beowulf (FTR 470LP). It's very nice to revisit some of his back pages. The blend the Iditarod offers sounds as great as ever, and augurs a cool future that was just beginning. Tally ho!" --Byron Coley, 2021 Edition of 250." - Feeding Tube Records.
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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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