An enigma. A band records their second album in 1985, but sits on it for 29 years and releases it as a new album, not a lost gem," in 2014. The authors of this enigma are known as Inryo-fuen, a Japanese trio formed in 1978, meeting via a Surrealism circle in Yokohama. With the intent of applying the Surrealist idea of Automatic Writing to sound, they began performing their improvised music in 1980, with their first performance at the legendary Tokyo venue Minor, which was run by Takashi Sato of Pinakotheca Records. This second album was recorded after the release of an LP and several singles during the period 1980-1984. The trio of Jun Harada (drums), Naoyuki Masuda (guitar), Masamichi Oyama (keyboard), although involved in the Tokyo/Yokohama underground/independent rock scene, were seemingly sui generis, avoiding punk and post-punk stylistic style-markers, yet decidedly not a part of any synth-pop or electro movements, either. This album, Ho-aku, was recorded in 1985. In the studio, the band projected slides of photos which Masuda had taken in Spain, and used these images as a springboard for the recording process. Still active, the band is, in all likelihood, the longest-running fixed-personnel improvised music group in Japan. Inryo-fuens Ho-Aku. A new album. Recorded in 1985. Experience the enigma." - EM. Some of you may remember we had tons of copies of the first INRYO-FUEN LP and flexidisc (reissues also coming soon from EM) as well as all the other Cragale releases way back in the late 90s - amazing label!

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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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