INTERACCION - Extension de los Significados

Domestica

INTERACCION - Extension de los Significados

"Edition of 350 copies in LP format, including a replica of the original fanzine _¢‚Ǩ_ìCon-secuencias_¢‚Ǩ¬ù and an informative sheet. It comes in 180-gramme vinyl. Collector_¢‚Ǩ‚Ѣs edition: comes with the original book _¢‚Ǩ_ìCon-secuencias_¢‚Ǩ¬ù from 1985, a limited edition of only 85 issues plus a download code of the whole LP _¢‚Ǩ_ìExtensi_ɬ_n de los Significados 1980-1983_¢‚Ǩ¬_. 180-gramme vinyl. Interacci_ɬ_n was a duo formed in the early 80s in Madrid by Carmen L. Fern_ɬ°ndez de Velasco and Jose Luis Iruretagoyena , which worked in a multidisciplinary way with minimalist electronic music, image and texts through different methods , including amongst them Mail Art. \r\nTheir works were distributed through channels parallel to the system such as sales by national and international mail and in the few specialised places dedicated to this type of music, and also through international collaborations on foreign compilations.\r\n\r\nThey released two cassettes: Extensi_ɬ_n de los Significados_¢‚Ǩ¬ù, which compiled works from 1980 to 1983, and "Ancestrales_¢‚Ǩ¬ù with sound material from the years 1984 and 1985. They also contributed to the sale and distribution of music tapes through Visi_ɬ_n de Granada, and also of like-minded groups involved in the same scene. They released a fanzine called "Con-secuencias" in which part of their visual work and Mail-Art was collected, and a little manifesto of the motivations which motivated them, summarised as: feeling, reason, passion, mutual action, imitation, duality, repetition, harmony of the opposites, reflection. It includes lyrics, poems, concerts dates and other parallel information.\r\n\r\nThey released a video in 1986, called _¢‚Ǩ_ìLucis Et Umbrae_¢‚Ǩ¬ù that was presented in the II Festival of National Video held in the C_ɬ_rculo de Bellas Artes in Madrid in the section Videos a la Carta. Another tape with the same title was released with the sound material of this audio-visual work." - Domestica
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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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