Aguirre

JAMAL CREATIVE ARTS ENSEMBLE, THE KHAN - Drum Dance To The Motherland

"Limited 2023 restock; reissue. There's not another album on the planet that sounds even remotely like vibraphonist Khan Jamal's eccentric, one-of-a-kind masterpiece, Drum Dance To The Motherland. Thirty years after its release, the album's tapestry of sound, fearless abstractions, relentless grooves, cool swing, flashes of ecstasy, and pan cultural embrace remain powerful and beyond category. One of only three albums released on the Philadelphia-based Dogtown label, it was barely distributed beyond the city's limits when it came out in the early '70s. Finally available again, a really stunning document of musical exploration, a classic session. In its improbable fusion of free jazz expressionism, black psychedelia, and full-on dub production techniques, Drum Dance remains a bracingly powerful outsider statement fifty years after it was recorded live at the Catacombs Club in Philadelphia, 1972. Comparisons to Sun Ra, King Tubby, Phil Cohran, and BYG/Actuel merely hint at the cosmic otherness conjured by The Khan Jamal Creative Arts Ensemble and by sound engineer Mario Falana's real-time enhancements. Clearly, the members of the Khan Jamal Creative Arts Ensemble saw African American music as a continuum that stretched from the Motherland through the blues, R&B, jazz, and free jazz, and they prided themselves on mastering the continuum. In the early '70s, these were fairly new ideas, but they had taken firm root in Philadelphia. The search for an African American music that is modern and culturally progressive but rooted in an African tradition is the music's heart and soul. Its connection to the specific African American community in Philadelphia is its immediate inspiration. "My ancestors eventually show up in my music every time I play," Jamal says. "I've always said that my backyard is Africa." Originally issued by Jamal in 1973 in an edition of three hundred copies on Dogtown Records, Drum Dance To The Motherland was effectively a myth until eremite's 2005 CD reissue. With the master tapes long vanished, the audio was transferred at Sony Music's 54th street studio from a minty copy of the original LP. Includes an insert with Ed Hazell's detailed telling of Drum Dance's incredible history. Under License from Eremite Records." - Aguirre
  • Sale
  • Regular price $32.00


After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
I understand these terms

Sale

Unavailable

Sold Out