CMR

JGRZINICH - Intimations

Sound and Video artist John Grzinich has been working under the name\r\njgrzinich since 1995. He has performed and worked extensively throughout\r\nEurope and the US. His sound compositions have been published\r\ninternationally on such labels as Staalplaat (NL), erewhon (BE),\r\nIntransitive Recordings (US), Orogenetics (US), Elevator Bath (US),\r\nPale-Disc (JP), Digital Narcis (JP). These works consist of collaborations\r\nwith mnortham, Seth Nehil and Frequency Curtain (Josh Ronsen, Rick Reed,\r\njgrzinich). Since 1994 jgrzinich has explored various approaches to sound\r\ngeneration, recording and production. His techniques range from the\r\nconstruction of original instrument devices and the capturing of acoustic\r\nphenomenon through environmental field recordings to digital multi-tracking\r\nand manipulation. intimations is the first solo release from jgrzinich.\r\nintimations began as a series of piano recording experiments in the spring\r\nof 2001 in Austin, Texas and continued as a sonic diary of life in transit\r\nthroughout Europe. The resulting CD came from a culmination of experiences,\r\ncontinually worked through as dynamic and personal electro-acoustic\r\nreflections. intimations is comprised of recordings from Texas, Croatia,\r\nItaly and Germany and was composed at numerous locations from the Balkans to\r\nthe Baltics. The CD includes an extended essay by the composer. These are\r\nintimations of a different kind; as if listening was no longer about finding\r\nreferences in a mediated culture but is about sensing the coordinates of\r\nones position through a set of precise signals present in the environment."\r\nJohn Grzinich currently lives in Estonia and works as a media lab\r\ncoordinator for MOKS, an NGO organization dedicated to local and\r\ninternational cooperation in the fields of arts, social and environmental\r\nresearch." - CMR.

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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.



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