Oom Dooby Dochas

KITAJIMA, OSAMU - OSAMU

"Oom Dooby Dochas present a reissue of Osamu Kitajima's Osamu, originally released in 1977. This is the third album by Osamu Kitajima, one of Japan's most prolific artists from the ethno rock, world music, and progressive department. You certainly cannot divide all the mentioned stylistic aspects from each other for they were all incorporated in these complex arrangements and homogeneous sound. It is the same with his other albums like 1976's Benzaiten (DOO 17005LP/PSI 004-1CD) and or his fourth album, 1980's Masterless Samurai; traditional Japanese music meets Western jazz-rock and progressive sounds to form a new style unheard by most people in Western countries at the time. Osamu Kitajima easily plays with elements of reggae and funk, fusion jazz, and colorful pop while staying true to his Japanese roots with bits and pieces of traditional melodies and the use of old Asiatic instruments. The Japanese influence makes this music unique and still it gets as close to Western rock and pop sounds as it could. An adventurous journey through the world from East Asia to West Africa and to the steaming metropolises of the UK and USA is your reward when you put this perfectly produced album onto your turntable. The former Pink Floyd comparison coming with Benzaiten is not totally out of place with the self-titled album here but there is much more latitude in the allover style. Osamu Kitajima gathers a few well talented musicians around him on this record despite playing and arranging most of the instrumental passages himself. He, the multi-instrumentalist who discovered progressive rock music in the early '70s during a stay in London where he released a first album under the moniker Justin Heathcliff before moving to California around the mid-70s. And this group of musicians creates something special that sticks out of the mass of similar art pop and fusion bands in the late '70s. Osamu Kitajima is something like the Japanese answer to Mike Oldfield, and others equal in vision and output." -Oom Dooby Dochas.
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  • Regular price $25.00


After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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